A wide variety of artists are tasked with depicting Venom throughout, and most of their takes on the character fail to impress. The artwork is similarly a letdown, and unfortunately remains a con throughout most of the collection. Listen to the latest episode of our weekly comics podcast! ![]() Brock, meanwhile, is similarly dull here: a violent madman with plenty of rage and strength to back it up, but none of the interiority or focus on symbiosis that make him so compelling. If you like me had never heard of it, that probably has something to do with the fact that the villains (a group of corporate hired guns) are utterly flat and unremarkable characters who do nothing to contrast against or otherwise highlight Venom in any interesting way. The collection begins with a portion of the miniseries Spider-Man: The Arachnis Project. This hefty book is a time capsule which answers the question: what were Venom comics like in the period after he’d made his iconic debut, but before Tom Hardy (and a lot of gay lust and camp sensibility) reinvigorated the character and his fanbase? The answer, at first, is bad. ![]() The contents vary from Spider-Man (and Scarlet Spider) stories wherein Eddie Brock is simply the antagonist to several miniseries in which the brain-craving anti-hero receives top billing. ![]() Symbiote stans rejoice: after almost a year we’re finally getting another Venom Epic Collection! In an example of the imprint’s tendency to reject chronological order we’ve jumped straight from volume two to volume five, which reprints almost 500 pages worth of Venom content from 1994-1995.
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